Showing posts with label Tom Fairs. Show all posts
Showing posts with label Tom Fairs. Show all posts

Friday, March 9, 2012

Artist Tom Fairs in KS Art booth at The Armory Show 2012 gets fantastic reviews in the NY Times and Art in America.


Kerry Schuss has an exquisite exhibition of the drawings of Tom Fairs at 2012 The Armory Show in Pier 94. The wonderful story on the show by Ken Johnson in the New York Times today gave a glowing review of Mr. Fairs' work (link below) and on Thursday, Kerry got a nice mention by Clarissa Dalrymple for Art in America (second link below.)

www.nytimes.com/2012/03/09/arts/design/armory-show-modern-and-contemporary-at-piers-92-and-94

www.artinamericamagazine.com/the-scene/2012-03-08/armory-clarissa-dalrymple




Betsy Sussler of Bomb Magazine visits KS Art booth.
Just being in the booth for short amounts of time, people came in and said things like, "This is my favorite work at the show."The drawings which are made up of fascinating and varied graphite marks are classic and very contemporary all at the same time. 

Tuesday, December 20, 2011

Lucky No.7 on NYTimes art critic Roberta Smith top 9 shows of 2011 is Kerry's show of Tom Fairs drawings at KS Art.

Thrill to have such a quiet, elegant yet riveting drawing show of small pencil drawings of northern London gardens and buildings be recognized.

http://www.nytimes.com/slideshow/2011/12/18/arts/design/12182011_RSMITH-7.html

Tuesday, November 29, 2011

Artforum's year end top ten list by Matthew Higgs picks Tom Fairs exhibition at KS Art as one of the worlds best shows of 2011


In Artforum's top ten list of the best art shows of the year from all over the world, a list that includes one show at the Hirshorn Gallery, one artist from the Venice Biennale and one show at the Guggenheim Museum, KS Art's modest, yet magnificent show of the pencil drawings of Tom Fairs gets its due.


Sunday, June 5, 2011

Tom Fairs exhibition gets a rave review in the New York Times!


     The exhibition of Tom Fairs sketchbook drawings at KS Art gets a rave review in the New York Times on June 2nd, 2011.
Follow the link below to the story.

http://www.nytimes.com/2011/06/03/arts/design/tom-fairs-drawings.html?scp=1&sq=Tom%20Fairs&st=cse

Saturday, May 14, 2011

An Observing Eye: Artist Tom Fairs pencil drawings show


For those with an appreciation for the patience of an artful observer, an artist with a passion for drawing from nature has an exhibition of his sketchbook drawings.

My interest is primarily in things seen: landscape, interiors, still life where, in the light of the imagination, the commonplace may be transformed into the extraordinary. The ever- present transforming principle moves me. I have no theories, no special techniques and no information to communicate. I try to achieve a brief glimpse of the implicit order that lies beneath what we perceive as reality.
- Tom Fairs 


Tom Fair lived a life highly suspicious and with a complete lack of interest in showing his work. He turned down any suggestion to show his exquisite, complex pencil drawings in his lifetime. To many artists, who spent their careers working to get their work out of their studios and in front of appreciative eyes, it is inexplicable.
After his death, in 2007, Tom's sketchbooks of drawings were given to a friend, Bobbie, who appreciated and treasured them. And was determined to find a gallerist with the vision to recognize their importance.

Tom spent most of his career as a teacher, and when he retired in 1987, he devoted the last twenty years of his life to making his own art. KS ART gallery website
http://www.kerryschuss.com/cexrelease.html

"Each vividly realized scene is a fresh proposition, with its own felicitous arrangement of forms and its own set of exuberant notational marks. Fairs was an extraordinarily inventive draftsman, with a repertoire of wavering contour lines, staccato dashes and thick scribbles with which to conjure not only the city's compacted jumble of nature and culture, but the sounds of rustling leaves and far away traffic, the smells of coal smoke and grass, and even the colors of wet earth and overcast skies. Every encounter with the world generated a burst of individualized loops, squiggles, and shadings, which speak of an unselfconscious absorption in a place at the moment of its depiction and give the works a physical and emotional presence out of proportion to their scale."