Sunday, January 9, 2011

SEW ARTFUL

In case you needed any more evidence that crafting is having a historical moment, how about one of the most important contemporary art museums in America inviting an artist who sews clothing sculptures and makes buttons to do a show? Yesterday's family art workshop at The Whitney Museum of America Art was devoted to exploring the fascinating work, and the world, of Charles LeDray. As usual, the workshop leader, begins the 2-hour learning workshop in the galleries of a current show to look at and discuss the work that will inspire the art making later on. It was a pleasant surprise when the elevator doors opened on the third floor to reveal the show of the strange miniature sculptures of New York artist Charles LeDray.
Detail of miniature jackets, pants and shirts on tiny racks. 


The galleries would be closed to the public for another 25 minutes, so we had the rare treat of having the place to ourselves. Parents and kids sprawled on the floor to listen, interact and make drawings without being self conscious. We started in the man room right off of the elevator, where there were two pieces of work installed: the one we discussed a row of tiny hand made hats hanging at about 12 foot off the ground, and a second piece of an elaborately embroidered jean jacket in a glass vitrine.

The second room was filled with one large, 3-part installation, set up in a dark room.  One of the three parts is pictured above, what appears to be the back room of a second hand clothing store.

The table of ties was set up with a mannequin with a natty suit on it. Hanging above each scene was a ceiling of cheap white tiles, and ugly neon lights.  The first part, below was a miniature run down looking second hand shop with two circular racks of clothes: t-shirts one one, jackets on the other. Plus a table with folded clothing on it. Max pointed out to me, they looked dirty. Mark pointed out to us, the layer of dust on the top of the racks, and mentioned that Charles had made the dust himself. Apparently he makes everything himself. Nothing is fabricated for him, nor does he have a team of assistants creating his artwork for him. According to his bio, Charles learnt to sew as a young child and it became his life's passion.

Down in the workshop, Mark began by explaining what the project would be, based on the installation piece we saw, the children would each create some item that one would find in a store. Mark then suggested the children collectively create a list of things that one would find in a shop. This was the list 
List of items the children thought up for the store's inventory.
 that evolved. Ella (6) suggested a short order cook. Mark was amused, but said, "I'm putting that down, he could make snacks for the shoppers." The instructors are super relaxed, freeform and enthusiastic about the kids ideas, process and art. Max suggsted toys (since our next stop of the day was to to be the new Lego store). Then Mark demonstrated different ways of creating three-dimensional things.
Max folding and taping his toy figure.
Then Mark invited all the kids to help themselves to the wonderfully varied art materials laden on two enormous side tables. There was everything from an enormous ziplock bag filled with vintage empty spool threads to wire and wire cutters to glue sticks. Max helped himself to a couple of sheets of heavy silver paper, a blue pipe cleaner, some scissors, a piece of green construction paper, a roll of black tape and announced "I'm not going to tell you what I'm making, it's going to be a surprise." Then he got busy.
He ran into some difficulty trying to hold the paper down while he cut it to fit the balled up batting, so he asked me to hold it in place while he taped down the edges. Max revealed clues about the "toy" he was making for the shop. The young boy to our right was busy making chocolate bars with his dad, while the young lady on our right was making an elaborate shirt to be displayed on a mannequin.
Max was busy applying foam shapes, and his name on sticky letters on the front. He created a price tag ($12.99) and taped it to the back.


He asked me to finish his second leg, so he could "make his money." I assumed he wanted to make money to buy things in the store. But Max wound up making a $1 bill, then attaching a $2 price tag to it and put it on a "store shelf" to display. That got a humorous reaction from all the parents and teacher. The dad next to me said, "well its handmade,"as an argument for the price. When children are given more freedom in these workshops, the results are so original!

(left) some of the children's imaginative store inventory items. include (from left) a produce store, Max's figure and dollar bill, and candy bars.




Ella's short order cook with egg cooking in a frying pan is on the top shelf. Ice cream cones for 5 cents and a coffee table, a mannequin with clothes on it and a juggler is on the middle shelf.

After the workshop ended and we were walking out, I asked Max if he minded going back to the exhibition so we could see all of it, sice we had really only seen two galleries of the exhibition. He was keen to go back.





Some of the other rooms included sculptures that included "Honey and Milk" a 6-shelf piece with 2000 tiny (2 inch high or less) vases, all hand thrown by LeDray.

Detail of a few of the 2000 white vases.

In my opinion, the Whitney Museum of American Art runs these programs better than any other museum I've been to and Max has come to know all of the instructors: Rachel, Jesse and now Mark!
--Monica Forrestall

Sunday, January 2, 2011

Auld Lang Sine: Remembering past friends and loved ones

The words 'Auld Lang Syne' literally translates from old Scottish dialect meaning 'Old Long Ago' and is about love and friendship in times past. The lyrics in the song referring to 'We'll take a Cup of Kindness yet' relate to a drink shared by men and women to symbolise friendship. 


Happy New Year.


above: Tom Forrestall and Natalie Forrestall, (who passed away in 2006), on their 
year long biking honeymoon in Europe. 


above: Steven Parrino (1958-January 1st, 2005), reading a newspaper in Paris near the Eiffel Tower.

above: Olivier Mosset and Steven Parrino in Staadt, Switzerland. 

John Armleder, Monica Forrestall, Steven Parrino, Staadt, Switzerland.



---Monica Forrestall

Friday, December 31, 2010

The art of the New York City holiday windows

I love New York in December (how about you?) The seemingly endless amount of extraordinary sights and experiences one can "take in" for free gets ramped way up for the entertainment of the millions of visitors who come to shop and sightsee this time of year. Every day one can take in displays, performances and gallery exhibits that people have worked on for months (or years) and spent anywhere from thousands up to millions of dollars creating, for the price of a subway ride uptown. I've always loved looking at the exceptionally creative holiday window displays in stores around the city. In December, the big department stores all go, all out: Saks, Lord and Taylor, Barney's, Bergdorf's, Van Cleef and Arpel: the big stores have the best window display artists create one-of-a-kind seasonal fantasy treats for the eyes.

I was reminded by how amazing the windows are by a video NYT style reporter Bill Cunningham did, highlighting some of the best of the best,  http://video.nytimes.com/video/2010/12/23/style/1248069481727/on-the-street-holiday-windows.html?scp=4&sq=store%20windows&st=cse

Inspired by his roundup and highlights of what was out there to see, I set out with my son Max to check some out.
Here's what we found:
At Lord & Taylor, they've always favored fanciful, classic scenes of traditional Christmas. Their windows were complex spectacles with moving figures and sets, showing the same scenes, from different eras-1911, 1950, 1960 and the present. This year's windows were inspired by letters from customers who submitted their "happiest holiday memories" last Spring.
Lord & Taylor, one of the vignettes: a fire-engine red modern kitchen scene of holiday gingerbread house making. The spin-up seat stools are ones I wrote about in a story I did on architect
Richard Meier's kitchen in Food & Wine magazine years ago. 

Lord and Taylor: A off-to-go sledding and ice skating Brownstone doorstep scene from the 1960's.

At Lord and Taylor:  This 1911-era scene of a photographer taking a photo of some children decked out in their holiday finest. The customer's memory that inspired this window scene was of her mother's amazing sewing skills, and the wonderful clothes she made for her and her siblings for the holidays.

Lord and Taylor's a miniature 1960's Christmas day at home scene. 

At Lord & Taylor: a 1960's era scene of hanging holiday garlands, rotates to reveal
 the same scene circa 1918. 

Lord & Taylor: A 1950's era scene depicts a customer's memory of trying to catch Santa Claus by tying a bell to the dish of cookies left for him as a snack.


At Lord & Taylor: The smaller display windows on the uptown side of Fifth Avenue, had more traditional holiday cooking scenes.


At Saks: A one-of-a-kind Calvin Klein (designed by Francisco Costa) dress made for Lady Gaga to wear to a Rainforest Benefit event is displayed in an underwater travel themed window. 

Saks: Detail of the white lace booties Lady Gaga wore with her ethereal white cobweb-looking dress.

At Saks: A tow-headed child hangs onto an octopus tent-topper.

Saks Fifth Avenue: Detail of shoes on a mannequin (left of octopus tent). 


At Saks: A submerged child playfully hangs onto a tentacle of a big blue octopus, while a silver-clad and bubble festooned lady reaches for the water surface. 

At Saks Fifth Avenue: An underwater ship scene features an old-timey steering wheel and a mannequin wearing a star-fish embellished dress. 

At Saks: Every mannequins shapely gams were outfitted in a pair 
of outrageously beautiful sky-high heels.

At Saks: Sea saw of tow-headed child and flapper-like lady.

At Saks Fifth Avenue: Is it a bird? No, it's a Jason Wu feather dress perched amidst Fall trees.

Saks Fifth Avenue: Champagne and chandeliers, shiny and slinky dresses and of course crazy-stylish heels are de rigueur for New Year's eve Manhattan-style.

Saks Fifth Avenue: Same party, same glam.  


At Saks Fifth Avenue:  A child's fantasy circus adventures in every window, 
with mannequins decked out in drop-dead gorgeous garb. 

Saks Fifth Ave: Elephant's internal workings includes an aquarium natch. 


At Saks Fifth Avenue: A blond girl catches a ride on a big balloon filled with water bubbles.

Saks Fifth Avenue: Ship scene with a child catching a ride on the back of a flying fish. 

Max's favorite window at Bergdorf on Fifth Avenue was the under the sea themed one, with sequin and stone encrusted octopus, crocodiles and dragonflies. 

Bergdorf: Detail of the octopus.

Bergdorf: Detail of the simple twisted wire and faux gems dragonfly.

Bergdorf Goodman: A global explorer themed window features a mannequin wearing vintage Marchesa cape and dress with sculpted brass soled boots. The floor is creatively papered with vintage maps.


Bergdorf: Booties with metal sculpted heels and soles.

Bergdorf Goodman (below): The old-world travel theme continues in the next window, with Prada, Peter Som and Dries Van Noten clothes taking center stage. Maps, antique cameras and postacards as well as navigation tools lend glamorous travel atmosphere. 
The mannequin's  peacock feather embellished open toe sandals (below)
Pretty as a peacock holiday heels.

Prada's simple, elegant window on Madison Avenue features a Mrs. (Dr. )Tonya Zhivago look.


Snowy dusted, partly knitted bench overgrown with winter flowers.
The window at Anthropology in Rockerfellar Center fit their brand: quirky, artful and offbeat.

Big pine cone in the Anthropology window.
Happy Holidays!

---Monica Forrestall

Sunday, December 26, 2010

Curphey Forrestall set painting work he's done on the Wizard of Oz backdrops charms Neptune patrons---including his daughters Jasmine and Liz

My talented brother Curphey's life shifts back and forth between a day job working with a team of backdrop artists creating sets for Halifax's Neptune Theatre performances and performing in a band with three other members, one of whom is our cousin lead guitarist Matthew Grimson. They will be performing at the bar "Reflections" this week, so stop by if you're in town. Curphey describes their sound as "70's punk."

The latest Neptune production that Curphey helped create the sets for is The Wizard of Oz, and the show is getting rave reviews from patrons. Curphey took his daughters Liz and Jasmine to see it Christmas eve, and they "LOVED IT." Curphey particularly praised how well the lighting worked with the set design and how wonderful the acting was.

http://www.neptunetheatre.com/playbill/?show=40

Tuesday, December 21, 2010

The drawings of Bill Adams at KS Art booth is named one of the 11 most original artworks at the art fairs by Black Book magazine

Art writer Nick Haramis of Black Book magazine named Bill Adams drawings as one of the 11 most original artworks at NADA, Miami's most original art fair.

http://www.blackbookmag.com/article/the-11-most-original-artworks-at-nada-basels-most-original-art-fair/23733/P9

Congrats Bill and his gallery KS Art!

--Monica Forrestall

Miami Art Fair--NADA (New Art Dealers Alliance) at Deauville

Toured the NADA (New Art Dealers Alliance) art fair in Miami Dec 3-5th.

Here are some of the different booths Max and I saw.
above: Crawling red-suited figure at Workplace Gallery booth # 315.
        
Max in a Nada co-winning Best Booth.


above: Max in Wen Fang's painted knife display at La B.A.N.K booth.

above: Wacky science experiment pieces, at Museum 52 booth seem to have big boy-appeal. 

above: One of the two winning Best Booth winners, Kate Werble Gallery, NYC of the Nada art fair.

Max sees through sculptures.
Visiting dad in KS Art booth featuring Bill Adams work. 

left: Director of NADA Heather Hubbs (old friend of Max's), Max and Lisa Cooley, gallery owner Lisa Cooley, NYC (another old friend of Max's)

---Monica Forrestall